Before the publication of CTFT, information-seekers had no choice but to consult several different sources in order to locate the in-depth biographical and credit data that makes CTFT's one-stop coverage the most comprehensive available about the lives and work of performing arts professionals. Unlike single-volume reference works that focus on a limited number of artists or on a specific segment of the entertainment field, CTFT is an ongoing publication that includes entries on individuals active in the theatre, film, and television industries. #BACA NOVEL ENNY ARROW ONLINE SERIES#Preface Provides Broad, Single-Source Coverage in the Entertainment Field Contemporary Theatre, Film and Television (CTFT) is a biographical reference series designed to provide students, educators, researchers, librarians, and general readers with information on a wide range of entertainment figures. Library of Congress Catalog Card Number 84-649371 ISBN 0-7876-3185-X ISSN 0749-064X Printed in the United States of AmericaĬumulative Index (Including references to Who's Who in the Theatre and Who Was Who in the Theatre) Farmington Hills, Ml 48331-3535Īll rights reserved including the right of reproduction in whole or in part in any form. All rights to this publication will be vigorously defended. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information. This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions. Gale accepts no payment for listing, and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. does not guarantee the accuracy of the data contained herein. While every effort has been made to ensure the reliability of the information presented in this publication, Gale Group Inc. Richardson, and Robert Whaley, Research Associates Phyllis Blackman, Tim Lehnerer, and Patricia Love, Research Assistants Cariappa, Research Manager Andrew Guy Malonis, Research Specialist Barbara McNeil, Gary Oudersluys, Maureen Richards, and Cheryl L. Volume 26 Includes Cumulative Index Containing References to Who's Who in the Theatre and Who Was Who in the Theatreĭetroit Son Francisco London Boston Woodfcridoe, CTĬhristine Tomassini, Editorial Research Consultant James P. Working title: Grumpy old Rap Geniuses.Contemporary Theatre, Film and TelevisionĬontemporary Theatre, Film and Television A Biographical Guide Featuring Performers, Directors, Writers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, Dancers, and Critics in the United States, Canada, Great Britain and the World Not sure if I agree with their final verdict on the song (that’s a whole other essay someone’s probably already written for Jezebel), but it would be great if this became a regular series. If Baz Luhrmann ever decides to wreak havoc on Macbeth and set it in Boca Raton (PLEASE GOD), I want these grandmothers cast as the witches. They ask some very pertinent questions, like “Why did you even put this out for me to see?” and “We never talked when we had sex, what’s with all this talking?” Collectively, they are a three-headed Ur-Bubbe. In this video, which you should watch right now- right now-three grandmothers read the lyrics to Beyonce’s suuuuppper sexy “ Drunk in Love.” (It’s the Kanye West remix, which features a nice little “ Bound 2” shout-out. Even better!)įrom their effusive snacking to their horrified facial expressions to their gleeful disdain, these women are a joy to watch. Is this for real or scripted? I don’t know, and I don’t care-either way, it’s amazing.
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